I am posting commentary from The Walt Disney Family Museum blog regarding recent statements that have been made about Walt.
Walt was one of my childhood heroes (Houdini, Teddy Roosevelt, Albert Einstein were others). I also had the good fortune to work for The Walt Disney Company for a while. I have read most books and articles (both good and bad) about Walt over my lifetime.
Please take some time and read this commentary. I will let it speak for itself.
In the meantime, I am going to Disneyland.
In light of the recent rumors that have been spreading about Walt Disney, The Walt Disney Family Museum would be more than happy to debunk misconceptions that have been told as bold, un-sourced statements and wildly false accusations, as part of our mission to enlighten and educate.
In 1938, a letter was written from Walt Disney Productions to a female applicant, turning down her request to enroll in the Studio’s Animation Training Program. The letter, to the right, states that women did not perform the position of Animator at that time. What it did not say is that women were not capable of such work. This type of job restriction could be found not only at The Walt Disney Studios but at every other animation studio. Put into historical context, this letter illustrates the culturally accepted limited role of women in the workplace in the 1930s. At that time, most companies in America were mostly male-dominated with women providing smaller support roles. There were several prominent women within Walt Disney Productions, well before WWII made women the backbone of the American workforce. In speeches made to his employees on February 10 and 11, 1941, Walt observed that women artists could fully equal their male counterparts, and were being included in his studio animation training program:
|Courtesy Walt Disney Family Foundation © The Estate of Mary Blair|
Quite a few women played important roles at The Walt Disney Studios during Walt’s time, including artist Mary Blair—whose work in the animation department at The Walt Disney Studios heavily influenced the look and feel of Disney films for almost 30 years. Blair started at the Studios in the early 1940s and worked on classics such as Cinderella, Peter Pan, Alice in Wonderland, and more. She also assisted in the design of the Disneyland Resort attraction it’s a small world, and a life retrospective of her work will be on view at The Walt Disney Family Museum starting March 2014. (Our current exhibition—Water to Paper, Paint to Sky: The Art of Tyrus Wong—focuses on the life’s work of 103-year old Asian American artist Tyrus Wong, who also worked at The Walt Disney Studios in the 1940s. To find out more about Walt and diversity, please skip down to the next section).
Learn more about a few of these women including Bianca Majolie, Sylvia Moberly-Holland, Rhetta Scott, and Mary Blair here; read more about the first female Imagineer, Harriet Burns, here.
It was even before the 1950s when they started recognizing the employment and importance of women at The Walt Disney Studios. Notably, Hazel Sewell served as an art director on Snow White and the Seven Dwarfs, which was released in 1937—a year before the letter mentioned above was dated. Sewell also worked as an ink artist on the very first Mickey Mouse cartoon created in 1928, Plane Crazy, and was one of the artists who traveled to Latin America in 1941 as part of Walt’s goodwill tour.
Other notable females, besides Walt’s wife Lillian—who worked as an Inker & Painter before they married in 1925—were his Aunt Margaret, who provided Walt with his first drawing tablet and tools, and Margaret (MJ) Winkler, whose distribution deal with Walt’s Alice Comedies allowed him to establish the Disney Brothers Cartoon Studios in 1923.
WALT DISNEY AND DIVERSITY:
Walt Disney was a patriot—one only has to look at his work throughout the 1940s to witness his tour of Latin America of behalf of the United States Good Neighbor Policy, the US Army’s occupation of The Walt Disney Studios Lot, Walt’s countless military training films, which were made at cost, as well as shorts and films against the Axis like “Victory Through Air Power.” The Studios even won an Academy Award in 1943 for the short film “Der Fuehrer’s Face”—the easiest of Google searches will reveal the true patriotic message behind Donald Duck’s nightmare in “Nutzi Land.”
Walt was also a frequent contributor to Jewish charities, including the Yeshiva College and the Jewish Home for the Aged. Also, Walt Disney was made Man of the Year by the Beverly Hills Lodge of B’nai B’rith—the oldest continually-operating Jewish service organization, which fights anti-Semitism all over the world—in 1955, and was also awarded a recognition from Hadassah, a Jewish women’s organization that empowers youth in Israel and America. These awards can be seen in the Lobby of The Walt Disney Museum (or by clicking on the thumbnails above. Right: B’nai B’rith Heart of America Chapter, Kansas City, Missouri; Distinguished Service Citation, 1958. Left: Hadassah Recognition of Achievement, 1958.)
|Floyd Norman, 1956. © Disney|
Our good friend and Disney animator Floyd Norman also has been quoted saying: “The funny part was that minorities weren’t knocking at the gates to get in. The jobs were there if they wanted them and if they were qualified. It’s like the old ruse that Walt didn’t hire Jews, which was also ridiculous. There were plenty of Jews at Disney. Personally, I never felt any prejudice from Walt.” In fact, we encourage you to read the blog piece he recently published addressing the same factual misconceptions that we discuss here.
DECEMBER 15, 1966:
Lastly, let’s not forget to bust the most circulated (and possibly the most bizarre) myth of all. The Walt Disney Family Museum houses an entire gallery dedicated to the heartbreakingly sudden passing of Walt Disney—from acute circulatory lung collapse—on December 15, 1966. Two days later, Walt was cremated and interred at Forest Lawn Memorial Park in Glendale, CA. In fact, the only time the phrase “Disney’s Frozen” is accurate is when it is in reference to the Walt Disney Animation Studios’ new animated feature.
It’s true that everyone is entitled to his or her own opinion, but if you are still skeptical after looking over these facts presented above, we invite you to visit The Walt Disney Family Museum, or even send us your questions and concerns at email@example.com. We would love to hear from you.The Walt Disney Family Museum® Disney Enterprises, Inc. | © 2014 The Walt Disney Family Museum, LLC | The Walt Disney Family Museum is not affiliated with Disney Enterprises, Inc.
Written by Storyboard, On January 9th 2014 |
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